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Sacred Currents

Sacred Currents: A Diasporic Renaissance is an evocative celebration of Pan-African spirituality and creativity as they weave through the African Diaspora, a testament to the unbroken thread of ancestral wisdom that has crossed waters and reshaped worlds.

This exhibition bridges the nostalgic past and the speculative future, harmonizing ethereal realities where traditions transform through innovation, and art becomes a vessel for the sacred. This renaissance represents an ongoing continuum—where ancestral wisdom is not merely revived but continuously reinterpreted.

It is the story of how Black spirituality, religion, and artistry have transformed, adapting to new geographies, histories, and challenges while holding fast to their core essence. Rooted in ancient cosmologies and rituals yet daringly reimagined for today, Sacred Currents showcases the living, breathing dynamism of a spiritual and artistic ecosystem that has never stopped flowing.

The works featured in this exhibition—spanning painting, sculpture, textile, photography, digital art, installation, and performance—speak to the longevity, ingenuity, resilience, and boundless vision of the African Diaspora. From the sacred rhythms of traditional rituals to boldly innovative expressions of identity and liberation, these pieces transcend time and geography, immersing audiences in the fluidity of spirit and creativity.

Sacred Currents is a call to reflect, reconnect, and reimagine. It invites audiences to step into the stream of this renaissance and witness how contemporary artists channel ancestral memory, not as an act of nostalgia but as a source of empowerment, healing, and cultural reclamation.

Here, the sacred informs the creative, and the creative informs the sacred—an unending conversation across generations and continents. This exhibition offers a sanctuary for reflection, a celebration of identity and community, and a space for imagining new possibilities of cultural and religious liberation. Through the vivid colors, rich symbols, and transcendent energies of these works,

Sacred Currents affirms that the African Diaspora’s sacred arts are not relics of the past but the lifeblood of a shared future.

--Co-Curators Vanessa Charlot & Dr. Kyrah Malika Daniels

 

Vanessa Charlot

Vanessa Charlot is an award-winning photographic artist, filmmaker, and Assistant Professor of Media and Communication at the University of Mississippi School of Journalism and New Media. Her work transcends traditional boundaries, blending documentary photography, filmmaking, and interdisciplinary research to explore the complex intersectionality of race, politics, culture, and gender.

 

Charlot's artistic practice intertwined with the exploration of Black life, compelling viewers to confront and reimagine the often-distorted narratives that shape perceptions of Black bodies.

Her photographs and films have garnered international acclaim, with works commissioned by The New York Times, Gucci, Vogue, Rolling Stone, The New Yorker, Oprah Magazine, The Atlantic, The Guardian, Apple, New York Magazine, Buzzfeed, Artnet News, and The Washington Post, among others. In November 2022, Charlot's work graced the cover of The Washington Post’s Photo Issue, further cementing her influence in contemporary visual culture. Charlot’s career spans the U.S., the Caribbean, and Southeast Asia.

                                                                

Dr. Kyrah Malika Daniels

Dr. Kyrah Malika Daniels is Assistant Professor of African American Studies at Emory University and Co-Curator of Sacred Currents: A Diasporic Renaissance, her first exhibition.

 

She completed her B.A. in Africana Studies at Stanford University and received her M.A. in Religion and her Ph.D. in African & African American Studies at Harvard University.

 

Daniels’ first book (Art of the Healing Gods, Duke University Press 2026) is a comparative religion project that examines sacred art objects used in healing ceremonies of Haiti and Congo-Kinshasa. Her work has been published in the Journal of the American Academy of Religion, the Journal of Africana Religions, Meridians: Feminism, Race, Transnationalism, and the Journal of Haitian Studies.

 

Daniels currently serves as a Leadership Council Member for the African and Diasporic Religious Studies Association (ADRSA) and as Co Vice President for KOSANBA, the Scholarly Association for the Study of Haitian Vodou.

                                                      

 

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