Superheroes!

A top secret mission on behalf of an old friend, a tropical cruise. What could go wrong? Turns out it's a theme cruise -super-hero themed, naturally -a fl oating comic con. Now Bobbi is trapped on a boat with a thousand cosplayers, caped colleagues she was trying to avoid, an ex-boyfriend who keeps showing up at inopportune times and a rampaging herd of corgis. When a passenger is murdered, Bobbi must play Hercule Poirot to fi nd the killer and confront some uncomfortable truths from her past in the process.COLLECTING: Mockingbird 6-8, New Avengers (2010) 13-14

The newest chapter of Batwoman's life begins here! Monster Venom is the hottest new bioweapon on the market...and to break up the syndicate spreading it around the world, Batwoman's going to have to return to the place where she spent some of her darkest hours! With writing from Marguerite Bennett (DC BOMBSHELLS) and James Tynion IV (DETECTIVE COMICS), as well as spectacular art from Steve Epting (CAPTAIN AMERICA- THE WINTER SOLDIER) and Ben Oliver (THE MULTIVERSITY), this new series spins directly out of the smash hit DETECTIVE COMICS series! BATWOMAN VOL. 1 collects issues #1-6 and the one-shot special BATWOMAN- REBIRTH #1.

Adapting what may be the most popular of graphic novels, by the edgy Hard Case Crime author, adding layers and exploring the nature of morality. Faced with overwhelming poverty and a pregnant wife, a tragic, struggling comedian is forced to turn to crime. In his first heist, he is immersed in toxic chemicals that disfigure him bizarrely, driving him mad and thus giving birth to The Joker. For years, the Clown Prince of Crime has been caught in a dance of violence with his greatest nemesis, the Batman. Escaping Arkham Asylum, he plots his most lethal caper. This will be the ultimate punch line... his KILLING JOKE. In their mission to protect Gotham City, Batman and Batgirl (Barbara Gordon) pursue ruthless criminals such as the grandiose Maxie Zeus and Antonio "Python" Palmares. Simultaneously, Commissioner James Gordon and Detective Harvey Bullock take on a cartel distributing the latest designer drug--"giggle sniff," derived from a venom created by The Joker. This rapid-fire sequence of events spirals together to threaten Batman's closest friends and allies, and locks the two eternal foes in their ultimate death match. Copyright © 2017 DC Comics. BATMAN, THE JOKER, THE KILLING JOKE and all related characters and elements © & TM DC Comics and Warner Bros. Entertainment Inc.

Prepare for the World's Greatest Superheroes to finally hit the big screen with this compilation graphic novel companion to 2017's most highly anticipated film, JUSTICE LEAGUE- THEIR GREATEST TRIUMPHS! Superman. Batman. Wonder Woman. The Flash. Aquaman. Cyborg. The mightiest heroes in the DC Universe have finally united as they face a threat larger than any one of them can handle on their own! Featuring the characters from the Warner Brothers feature film Justice League, JUSTICE LEAGUE- THEIR GREATEST TRIUMPHS collects the greatest comic stories ever told, with contributions from such legendary creators as Geoff Johns, Jim Lee, Grant Morrison, Gardner Fox, Gerry Conway and more! At $9.99, this new graphic novel collection is not only a great deal, but a great starting point for the most powerful super team in the DC Universe!

Eisner Award-winning painter Alex Ross has stunned fans time and again with his artwork in books including Kingdom Come and the World's Greatest Super-Heroes. Now one of comics' greatest artists turns his attention to the greatest heroes of the DC Universe: the Justice League of America! In this volume, a conspiracy of villains has found a way to defeat the Justice League, while looking like heroes to the public. Will the JLA's reserve members be enough to turn the tide against the villains?

In an alternate future in which Germany wins World War II and Britain becomesa fascist state, a vigilante named V stalks the streets of London trying tofree England of its ideological chains.

The very first Hellblazer collection ORIGINAL SINS is available in a new edition that includes John Constantine's appearances in SWAMP THING. This is the first of a series of new HELLBLAZER editions starring Vertigo's longest running antihero, John Constantine, England's chain-smoking, low-rent magus.This first collection is a loosely connected series of tales of John's early years where Constantine was at his best and at his worst, all at the same time.

Once, the Umbrella Academy was unstoppable. Under the tutelage of their guardian and mentor, Dr. Reginald Hargreeves, its members spent their childhoods fighting evil and honing their extraordinary gifts. Until something went terribly wrong .Now, nine years later, the estranged members of the Umbrella Academy are reunited by the death of the only parent they've ever known and the rise of a new and terrible threat. Will they be able to overcome their history for long enough to save the world one more time?

Written by Geoff Johns & Alex Ross Art by Dale Eaglesham, Ruy Jose, Fernando Pasarin and Rodney Ramos Cover by Ross A stunning new volume collecting JUSTICE SOCIETY OF AMERICA #7-12, featuring the prelude to and the first three parts of "Thy Kingdom Come," the sequel to the classic KINGDOM COME! Welcome the newest member to the Justice Society of America: the Kingdom Come Superman! Coming from an Earth plagued by heroes-gone-extreme, how will this Superman react to an incarnation of the Justice Society he never knew? Advance-solicited; on sale April 16

The critically acclaimed sequel to the best-selling Watchmen written by master storytellers Geoff Johns and Gary Frank! As the Doomsday Clock ticks toward midnight, the DC Universe will collide with its greatest threat- Dr. Manhattan. But nothing is hidden from Manhattan, and the secrets of the past, present and future will leave ramifications on our heroes lives forever. The world of Watchmen collides with the DC Universe in the most shocking story in DC history! Something is amiss in the DC Universe. Following the events of DC Universe- Rebirth andBatman/The Flash- The Button, Geoff Johns (Flashpoint, Justice League, DC Universe- Rebirth) and Gary Frank (Batman- Earth One, Shazam!, DC Universe- Rebirth) reunite to rewrite the past and future of the DC Universe in a story hailed as a masterpiece! Seven years after the events of Watchmen, Adrian Veidt has been exposed as the murderer of millions. Now a fugitive, he has come up with a new plan to save his once-adoring world- find Dr. Manhattan. Alongside a new Rorschach and the deadly Mime and Marionette, he arrives in the DC Universe and finds it on the brink of collapse. International tensions are running rampant with The Supermen Theory implicating the U.S. government in creating superhumans to maintain global dominance! But what is Dr. Manhattan doing in the DC Universe? And how is he related to the events of DC Universe- Rebirthand Batman/The Flash- The Button? Collects Doomsday Clock#1-6

London, 1898. The Victorian Era draws to a close and the twentieth century approaches. It is a time of great change and an age of stagnation, a period of chaste order and ignoble chaos. It is an era in need of champions. In this amazingly imaginative tale, literary figures from throughout time and various bodies of work are brought together to face any and all threats to Britain. Allan Quatermain, Mina Murray, Captain Nemo, Dr. Henry Jekyll and Edward Hyde and Hawley Griffin, the Invisible Man, form a remarkable legion of intellectual aptitude and physical prowess: The League of Extraordinary Gentlemen.

The 2005 James McTeigue and Wachowski Brothers film V for Vendetta represents a postmodern pastiche, a collection of fragments pasted together from the original Moore and Lloyd graphic novel of the same name, along with numerous allusions to literature, history, cinema, music, art, politics, and medicine. Paralleling the graphic novel, the film simultaneously reflects a range of authorial contributions and influences. This work examines in detail the intersecting texts of V for Vendetta. Subjects include the alternative dimensions of the cinematic narrative, represented in the film's conspicuous placement of the painting The Lady of Shalott in V's home; the film's overt allusions to the AIDS panic of the 1980s; and the ways in which antecedent narratives such as Terry Gilliam's Brazil, Huxley's Brave New World, and Bradbury's Fahrenheit 451 represent shadow texts frequently crossing through the overall V for Vendetta narrative.

Superhero films are one of the most enduring genres of cinema, and their popularity is only increasing in the 21st century. These ten critical essays explore the phenomenon through the lenses of numerous academic disciplines, and cover topics such as the role of globalization in the formation of superhero narratives, the shifting nature of masculinity and femininity in the superhero world and the state of the genre today. Of particular interest is the way these narratives, however fantastic, abstract, futuristic or simplistic, resonate with specific events in the world and function as starting points for discussion of contemporary sociopolitical conflicts.

This collection of essays analyzes the many ways in which comic book and film superheroes have been revised or rewritten in response to changes in real-world politics, social mores, and popular culture. Among many topics covered are the jingoistic origin of Captain America in the wake of the McCarthy hearings, the post-World War II fantasy-feminist role of Wonder Woman, and the Nietzschean influences on the "sidekick revolt" in the 2004 film The Incredibles.

If superheroes stepped off the comic book page or silver screen and into reality, could they actually work their wonders in a world constrained by the laws of physics? How strong would Superman have to be to leap tall buildings in a single bound. Could Storm of the X-Men possibly control the weather? And how many cheeseburgers would the Flash need to eat to be able to run at supersonic speeds? Face front, True Believer, and wonder no more! Because in The Physics of Superheroes acclaimed university professor James Kakalios shows that comic book heroes and villains get their physics right more often than you think.In this scintillating scientific survey of super powers you'll learn what the physics of forces and motion can reveal about Superman's strength and the true cause of the destruction of his home planet Krypton, what villains Magneto and Electro can teach us about the nature of electricity and finally get the definitive answer about whether it was the Green Goblin or Spider-Man's webbing that killed the Wall Crawler's girlfriend Gwen Stacy in that fateful plunge from the George Washington Bridge! Along the way, The Physics of Superheroes explores everything from energy, to thermodynamics, to quantum mechanics, to solid state physics, and Kakalios relates the physics in comic books to such real-world applications as automobile airbags, microwave ovens, and transistors.

Superhero comic books are traditionally thought to have two distinct periods, two major waves of creativity: the Golden Age and the Silver Age. In simple terms, the Golden Age was the birth of the superhero proper out of the pulp novel characters of the early 1930s, and was primarily associated with the DC Comics Group. Superman, Batman, Green Lantern, and Wonder Woman are the most famous creations of this period. In the early 1960s, Marvel Comics launched a completely new line of heroes, the primary figures of the Silver Age: the Fantastic Four, Spider-Man, the Incredible Hulk, the X-Men, the Avengers, Iron Man, and Daredevil. In this book, Geoff Klock presents a study of the Third Movement of superhero comic books. He avoids, at all costs, the temptation to refer to this movement as "Postmodern," "Deconstructionist," or something equally tedious. Analyzing the works of Frank Miller, Alan Moore, Warren Ellis, and Grant Morrison among others, and taking his cue from Harold Bloom, Klock unearths the birth of self-consciousness in the superhero narrative and guides us through an intricate world of traditions, influences, nostalgia and innovations - a world where comic books do indeed become literature.>

This latest installment in the Psychology of Popular Culture series turns its focus to superheroes. Superheroes have survived and fascinated for more than 70 years in no small part due to their psychological depth. In The Psychology of Superheroes, almost two dozen psychologists get into the heads of today’s most popular and intriguing superheroes. Why do superheroes choose to be superheroes? Where does Spider-Man’s altruism come from, and what does it mean? Why is there so much prejudice against the X-Men, and how could they have responded to it, other than the way they did? Why are super-villains so aggressive? The Psychology of Superheroes answers these questions, exploring the inner workings our heroes usually only share with their therapists.

The new century manifesto on the many futures of comics art In 1993, Scott McCloud tore down the wall between high and low culture with the acclaimed international hit Understanding Comics, a massive comic book that explored the inner workings of the worlds most misunderstood art form. Now, McCloud takes comics to the next level, charting twelve different revolutions in how comics are created, read, and perceived today. Part One of this fascinating and in-depth book includes: The life of comics as an art form and as literature The battle for creators' rights Reinventing the business of comics The volatile and shifting public perceptions of comics Sexual and ethnic representation on comics Then in Part Two, McCloud paints a breathtaking picture of comics' digital revolutions, including: The intricacies of digital production The exploding world of online delivery The ultimate challenges of the infinite digital canvas

Wonder Woman and Philosophy: The Amazonian Mystique explores a wide range of philosophical questions surrounding the most popular female superhero of all time, from her creation as feminist propaganda during World War II up to the first female lead in the blockbuster DC movie-franchise. The first book dedicated to the philosophical questions raised by the complex and enduringly iconic super-heroine  Fighting fascism with feminism since 1941, considers the power of Wonder Woman as an exploration of gender identity and also that of the human condition - what limits us and what we can overcome Confronts the ambiguities of Wonder Woman, from her roles as a feminist cause and fully empowered woman, to her objectification as sexual fantasy Topics explored include origin stories and identity, propaganda and art, altruism and the ethics of care, Amazonians as transhumanists, eroticism and graphic novels, the crafting of a heroine, domination, relationships, the ethics of killing and torture, and many more.

Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. While there has been a great deal of scholarly attention on superheroes, very little has been done to understand supervillains. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today. Batman's foe has cropped up in thousands of comics, numerous animated series, and three major blockbuster feature films since 1966. Actually, the Joker debuted in DC comics Batman 1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Batman and the Joker almost seemed to define each other as opposites, hero and nemesis, in a kind of psychological duality. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. As the first volume that examines the Joker as complex cultural and cross-media phenomenon, this collection adds to our understanding of the role comic book and cinematic villains play in the world and the ways various media affect their interpretation. Connecting the Clown Prince of Crime to bodies of thought as divergent as Karl Marx and Friedrich Nietzsche, contributors demonstrate the frightening ways in which we get the monsters we need.

The devil gets his due in the latest entry in thePop Culture and Philosophy series.Supervillains and Philosophy features an international cabal of philosophers and comics industry professionals conspiring to reveal the dark details -- and deeper meanings -- lurking behind today's most popular comic book monsters. Whether it's their moral justification for world domination or the wavering boundaries they share with the modern anti-hero, everyone's favorite villains generate as much attention as their heroic counterparts. The 20 essays in this accessible book explore the nature of supervillainy, examine the boundaries of good and evil, offer helpful advice to prospective supervillains, and untangle diabolical puzzles of identity and consciousness. All the legends are here, from Dr. Doom and the Spectre to the Joker and the Watchmen, reconsidered through the lens of classic and modern philosophy.

The comic book naratives of superheroes wrestle with profound and disturbing issues in original ways: the definitions of good and evil, the limits of violence as an effective means, the perils of enforcing justice outside the law, the metaphysics of personal identity, and the definition of humanity. Superheroes and Philosophy tackles these and other philosophical questions in an intellectual yet engaging way suitable for any comic book fan.

A riveting work of historical detection revealing that the origin of one of the world's most iconic superheroes hides within it a fascinating family story--and a crucial history of twentieth-century feminism.